There’s also a new cinema viewer option for those editing on laptops, allowing them to preview their cuts on full screen.Īudio waveforms have finally been added to the ‘source viewer’ making it easier to navigate to the right place in your clip visually, based on where the sound spikes or changes. Timeline performance has also been improved, along with the ability for editors to use either native or optimised media files, so you no longer have to wait hours for your timeline to load. There are new additions to the editing toolset, such as new swap & shuffle edits a number of new trim operations, such as head & tail trimming, ripple cut & paste insert commands an expanded edit overlay with ripple overwrites and append edits.
Improved saturation of FILM to VIDEO monitoring for URSA Mini 4.6KĪfter much public beta testing, according to BM CEO Grant Petty the most downloads ever, the final release of DaVinci Resolve 12.5 is now shipping with over 250 new features and 1000 other enhancements. 
Improved saturation of FILM to VIDEO monitoring for URSA Mini 4K. Improved saturation of SDI and LCD output when monitoring VIDEO while recording in FILM dynamic range. Improved saturation when recording in VIDEO dynamic range. Improved sensor response to lens shading. Blackmagic Design has just released Camera 3.3 bring improved white balance and sensor response to lens shading for URSA Mini 4.6K, as well as improved saturation when recording in Video dynamic range and improved Film to Video monitoring for all Blackmagic URSA Mini models and Blackmagic URSA Viewfinder.Īlong with the new update is the final release of DaVinci Resolve 12.5, more on that below.
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